The Official Music Video for the single Brush It Off with the band Plan Three, The single is taken from the album Screaming Our Sins released on Ninetone Records.

Seriously, what an amazing band, just found them tonight, I now love myself and Plan Three. <3

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My Broken Heart </3

A broken heart (or heartbreak) is a common metaphor used to describe the intense emotional pain or suffering one feels after losing a loved one, whether through death, divorce, breakup, physical separation, or romantic rejection.

Heartbreak is usually associated with losing a family member or spouse, though losing a parent, child, pet, lover or close friend can all “break one’s heart”, and it is frequently experienced during grief and bereavement. The phrase refers to the physical pain one may feel in the chest as a result of the loss, although it also by extension includes the emotional trauma of loss even where it is not experienced as somatic pain. Although “heartbreak” ordinarily does not imply any physical defect in the heart, there is a condition known as “Takotsubo cardiomyopathy” (broken heart syndrome), where a traumatising incident triggers the brain to distribute chemicals that weaken heart tissue.

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DARKNESS

I had a dream, which was not all a dream.
The bright sun was extinguish’d, and the stars
Did wander darkling in the eternal space,
Rayless, and pathless, and the icy earth
Swung blind and blackening in the moonless air;
Morn came and went—and came, and brought no day,
And men forgot their passions in the dread
Of this their desolation; and all hearts
Were chill’d into a selfish prayer for light:
And they did live by watchfires—and the thrones,
The palaces of crowned kings—the huts,
The habitations of all things which dwell,
Were burnt for beacons; cities were consumed,
And men were gathered round their blazing homes
To look once more into each other’s face;
Happy were those who dwelt within the eye
Of the volcanos, and their mountain-torch:
A fearful hope was all the world contain’d;
Forests were set on fire—but hour by hour
They fell and faded—and the crackling trunks
Extinguish’d with a crash—and all was black.
The brows of men by the despairing light
Wore an unearthly aspect, as by fits
The flashes fell upon them; some lay down
And hid their eyes and wept; and some did rest
Their chins upon their clenched hands, and smiled;
And others hurried to and fro, and fed
Their funeral piles with fuel, and looked up
With mad disquietude on the dull sky,
The pall of a past world; and then again
With curses cast them down upon the dust,
And gnash’d their teeth and howl’d: the wild birds shriek’d,
And, terrified, did flutter on the ground,
And flap their useless wings; the wildest brutes
Came tame and tremulous; and vipers crawl’d
And twined themselves among the multitude,
Hissing, but stingless—they were slain for food.
And War, which for a moment was no more,
Did glut himself again;—a meal was bought
With blood, and each sate sullenly apart
Gorging himself in gloom: no love was left;
All earth was but one thought—and that was death,
Immediate and inglorious; and the pang
Of famine fed upon all entrails—men
Died, and their bones were tombless as their flesh;
The meagre by the meagre were devoured,
Even dogs assail’d their masters, all save one,
And he was faithful to a corse, and kept
The birds and beasts and famish’d men at bay,
Till hunger clung them, or the dropping dead
Lured their lank jaws; himself sought out no food,
But with a piteous and perpetual moan,
And a quick desolate cry, licking the hand
Which answered not with a caress—he died.
The crowd was famish’d by degrees; but two
Of an enormous city did survive,
And they were enemies: they met beside
The dying embers of an altar-place
Where had been heap’d a mass of holy things
For an unholy usage; they raked up,
And shivering scraped with their cold skeleton hands
The feeble ashes, and their feeble breath
Blew for a little life, and made a flame
Which was a mockery; then they lifted up
Their eyes as it grew lighter, and beheld
Each other’s aspects—saw, and shriek’d, and died—
Even of their mutual hideousness they died,
Unknowing who he was upon whose brow
Famine had written Fiend. The world was void,
The populous and the powerful—was a lump,
Seasonless, herbless, treeless, manless, lifeless—
A lump of death—a chaos of hard clay.
The rivers, lakes, and ocean all stood still,
And nothing stirred within their silent depths;
Ships sailorless lay rotting on the sea,
And their masts fell down piecemeal: as they dropp’d
They slept on the abyss without a surge—
The waves were dead; the tides were in their grave,
The moon their mistress had expir’d before;
The winds were withered in the stagnant air,
And the clouds perish’d; Darkness had no need
Of aid from them—She was the Universe.

~LORD BYRON~

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All by Myself” is a power ballad written and performed by Eric Carmen in 1975.

The verse is based on the second movement (Adagio Sostenuto) of Sergei Rachmaninoff’s Piano Concerto No. 2 in C minor, Opus 18. The chorus borrows from the song “Let’s Pretend” that Carmen had written for the Raspberries in 1973.[2]

The song was the first release from Carmen’s first solo LP after leaving the power pop group the Raspberries and was originally recorded by the author and released in December 1975 to great success. It reached number 2 on the Billboard Hot 100, number 1 on Cash Box Top 100 Singles and number 12 in the UK. The single sold more than one million copies in the United States and was certified gold by the RIAA in April 1976.[3] In a 2006 poll for UK’s Five programme Britain’s Favourite Break-up Songs Eric Carmen’s version of this song was voted seventeenth.

Carmen’s original version has spawned numerous cover versions by such artists as Céline Dion, Frank Sinatra, and Igudesman & Joo. It should not be confused with the jazz standard of the same name, written by Irving Berlin and performed by Ella Fitzgerald and others.

On his second solo LP, Boats Against the Current, Carmen had a subsequent Top 40 hit entitled “She Did It” which was the antithesis of “All by Myself.” It is a happy answer to the loneliness and lovelessness described in this song and its equally melancholy follow-up “Never Gonna Fall in Love Again.”

The Carmen version is used in the video introduction for Conan O’Brien’s “Legally Prohibited from Being Funny on Television Tour”, when an obese and bearded version of the talk show host struggles to cope with losing his job as host of Tonight Show. The Carmen version is also featured in a season 4 episode of the hit sitcom That 70’s Show.

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I stood up on a white tile floor, took down my hair and I cried. I walked through the arches and on to the shore and let the waves crash for a while

— Bethany Joy Lenz

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